youtube history
The Evolution of YouTube: A Comprehensive Study
Adding TV shows and movies dramatically ramped up the volume of video content. Just through video hosting, “unofficial” copies of TV shows are capable of occurring a major change in audience contribution for little-known series through informal endorsement and creations of fan communities. Now, with live interaction, futures of both production and distribution, and platform perceptions have changed so much, and so truly, that comprehensive research is necessary. YouTube’s reputation as a propaganda platform continues to grow but remains uneven. We provide an introduction for future investigators of different parameters on aspects of YouTube, what they contain, and the nature and methodology of how they are used. Additional research opportunities are pointed out throughout our work. From its early days, YouTube is rooted in social practice that centers on more than the website alone. Only by being entirely aware of this and other applications, considering the benefits, challenges, and ultimately going on to the contentions, can researchers truly make an impact on YouTube and the demographics of online video. In the print to this introduction, we further provide a comprehensive and diverse overview of specific topics that will be highlighted across the distinct collection.
When YouTube was launched, its goal was clear: it was designed to address the growing need for an online video sharing platform only. With the first user-generated video “Me at the Zoo,” YouTube was established, and the rest has proven to be history. By offering an easy-to-use platform and welcoming the thoughts of new applications and new users, YouTube has earned its today’s top position. It is based on an innovative idea, quite ahead of its time in 2005, i.e., the flourishing ecosystem of content creators and the energetic users. YouTube modernized the online video watching by speeding up both the upload and the distribution of digital video. Over the last 11 years, YouTube has evolved from a simple video sharing site to give the world additional functionality of live streaming, video blogging, social sharing, and broadcasting. YouTube stands out from any available video platform because it empowers users to interact and broadcast in real-time while being in control of their videos. Being a stage for a sensible ecosystem around user-generated video, the interface has naturally evolved into something of significance.
Much has been written about the evolution of YouTube. From a company that was initially slow to monetize and burned through tens of millions of dollars, it has become a platform where millions of creators can make a living. It offers live streaming of events like debates and major league gaming contests, and companies can promote goods through their own channels and have advertisements appear next to videos. The content of the videos has evolved from simple home videos to sophisticated works in various genres. Some are now produced with the creator’s intent of it becoming a YouTube exclusive blockbuster. The YouTube community has pioneered new brand models, most notably with gaming channels featuring “Let’s Play” walkthroughs of entire games. YouTube has even become a significant channel for advertising political candidates. To the video viewers, YouTube provides a way to fulfill different needs. With the addition of various types of niche content, a large number of viewers see the platform as a video search engine. For many, especially younger people, YouTube has become a primary entertainment medium and watching videos on YouTube has become their initial video viewing. The increasing availability of Wi-Fi and LTE connections means that users are not just viewing videos at their homes. Instead, they consume YouTube content when on the move, leaving a cinema without using the public Wi-Fi, or in restaurants, airplane washrooms, basically treating it as an audiovisual.
YouTube was designed to be a video hosting and sharing site. As noted by a participant in our in-depth interview, YouTube’s initial appeal was centered on its functionality: “It was a platform to upload videos; to take your files and compress them, host them in the cloud, get scripts into Flash’s .flv format.” Although intended to appeal to everyone, the original user base of YouTube primarily concentrated on two major types of users: video creators and video viewers. Video viewers use YouTube as a resource for entertainment to watch videos, while video creators use YouTube as an outlet to distribute video content and gain an audience.
The video server delivers needed data and payments through the webserver to the host-server for payment confirmation in the back-end network according to demand, market demand, and attributes of the video file. High download speeds and commercial-grade stability are provided by the webserver, which ensures that the user enjoys an ideal network experience.
Solving the security issues is the website identification technology, which verifies the site’s certificate through a unique website identity certificate in a way that is similar to how HTTPS securely connects to a site. Once the website is verified through its unique certificate, the user can enter a payment password. Thereafter, as a qualified user on the certified site, the user can access all resources on the hosting video server.
The data architecture of online video includes the video file and the streaming format. The video file contains the video’s encoding and media data. The web page calls the video file location and type. The file format parameters include the file type and encoding format. The webpage includes a URL that points to the location of the video on the site. If the site has its own servers, cross-site security issues can arise. These can be minimized by following several simple rules, such as not using other servers to load streaming media and avoiding inline script code that interacts with cookies and forms.
YouTube offers three primary innovations. The first is network video streaming. Network video streaming leverages progressive downloading, which allows videos to play as they are being downloaded. Progressive downloading works by breaking files into small pieces and delivering pieces of files to users over HTTP. When the browser or media player receives a piece of the video, it first buffers the piece and then plays the piece.
The vital and creative internet world of ‘NOW’ – the YouTube anomaly – was born. The advent, success and popularity of YouTube has had tremendous implications for the web, the media, interactive interference, and not least society itself. It provided a new platform and a way for people to air and share their creative contributions, to publish work, show and develop their talents, propagate conspiracy theories, and ultimately serve as a mirror for society and culture at that time. If these accusations concerning YouTube seem excessive, a simple internet search for the term “often hacked” returns more than 3 million relevant results. A search for “often screened” returns several million, including many well-known television series ‘broadcast’ (often illegally), and therefore fall into a “professional” category, and are more like television programs than user-generated content. Such videos have a different impact and role on society than those made possible by the YouTube community.
Videos are the most powerful and persuasive tools we have to communicate. They have the best visual and auditory aspects of two other powerful teaching tools – slides and speaking – and combine them in an engaging, often very memorable and hypnotic way. We absorb audio-visual information simultaneously, something we don’t do nearly as enlightened with text. It is no wonder that as this technology developed it would become a major form of communication. And so, just as the web developed in the late 20th century, so did the visual web. Although good video editing software remains expensive, in July 2006, it was true that if you had access to a video camera (phone) and you could make a video, you could post it on YouTube.
Searching will also develop solutions to problems shared with the WWW search, like the significant amount of information about videos, user contributions, and options creation, and video comparison. For instance, video learners with a well-established copyright transfer will mandate development, and real-time compression of transcoders by design is necessary given the growth of these projects. Summarization and the emergence of VideoLabs resolution applications regarding description quality, audio analysis to evaluate editing, and automated event discovery are areas of development. The emergence of a new audiovisual culture necessarily calls for this, which is consumed and socially shared with friends and family alike.
New challenges are emerging as the web grows in size and functionality, including the content to be provided as well as interfaces. Video databases are growing and enabling further synchronization. In contrast, the amount of manipulation and content processing is also growing; video databases are growing; and above all, powerful promotion engines like Google and YouTube are introducing quality or audience-based selections. On the visualization and interaction front, the challenge is inherent to IPTV service and involves browsing and popularity navigation, thus focusing friends on the platform or environment. There are also new challenges for today’s site visualization, which is done using video pages. In the future, adapter and filter support based on civic and similar technologies, such as the Google TV project, are almost taken for granted.
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