furry art
Exploring the Cultural Significance and Evolution of Furry Art: A Scholarly Examination
Living in this information age has changed the methods of researching many fields. The knowledge traditionally held by a (professional) librarian is now widely known as simple and basic online searching techniques. These promoting librarian tools have enabled not only the academically involved but also those who were traditionally excluded from such activities by social pressures, financial worries, missing mentors and similar experiences to gain instant access to celebrated and less-well connected academia or invoke little-known scholars to be internationally realized. It is with pleasure that Furry art researchers discuss the works of Michael F. O’Brien, Megan Ogrady, or Ken Fletcher here. The first Furry survey conducted only body of knowledge, a user guide for Furry art novices and a Furry professional of the Week spotlight where open-ended interviews are carried out as well as supporting biographical details are often all located on the same personal site.
The scope of this article covers the resources and materials available online (primarily websites where visual art is shared and discussed by artists as well as the community as a whole), as well as any academic or institutional writings about Furry art’s cultural and historical significance. Unfortunately, many modern sources leave out Furry art due to the rampant sexual content which characterized online Furry art for many years, and may be seen currently in some circles as prevalent. This is taking the easy route, which has been agreed upon since the early 2000s as distasteful at best. The ongoing debate about dominant online presentation of Furry art significantly affects the amount of research material available in print. For the purposes of considering Furry art as culture, the contents of private photo collections, private greetings cards collections, online forums and websites, and personal communications with Furry artists are all used for informational content and for understanding the bits and pieces of Furry art history which have disappeared due to net.kooking, legal worries, copyright infringement, selling one’s published work, and other reasons.
Compared to fandom art of other fan subcultures such as anime and fantasy sports, whose themes can extend to pornography and violence, including self-harm, furries’ online communities are seen as more accepting and supportive of nonconformists. Furries are fans of media featuring mostly animal characters who exhibit both human-like traits and generally bipedal body shapes, or themselves, have created and appreciate characters fitting these descriptions. Furries can be characterized as belonging to an inclusive do-it-yourself online subculture accepting of artistic, often role-playing and fannish contributions. Furries put a high value upon expressing aspects of their fursonas (personalized animal characters) in visual forms, often created by fellow furries. Furries and their plus-ones, or friends who don’t necessarily share the furries’ enthusiasms, visit furry interest group sites in similar proportions. None of these sites have physical meeting spaces that allow self-identified furries to exchange art artifacts or co-create major artwork, but most such self-identified furries who live nearby wind up attending a furry gathering, convention, conference, or other face-to-face meeting.
Furries, members of an online subculture featuring mostly animal characters who exhibit both human-like traits and generally bipedal body shapes, put a high value upon expressing aspects of their fursonas in visual forms. In this survey, we seek to better understand the art and artists (mostly furries themselves) in the interests of supporting them, including themes, styles, and venues. After surveying artists to better understand furry artists and the diversity of furries’ artistic activities, we examined in more detail 53 furry art websites, finding many art forms over a wide range of quality and price points, including offering some direct financial assistance to a few dedicated artists. Most furries’ artwork is created by fellow furries using both free and commercial software; the quantity and quality of commissioned art correlates with artists’ ages, time spent as furries, and at least art hobbyist training.
I will also draw your attention to the words I use. Quite purposeful in my use of the word are to convey to you that furry art and these characters have always been part of our culture but have only come to light in the mainstream public’s eye in the last few years, and that no matter how shocking or strange this art may appear to be, the fact is that it has been around for quite a while. With the ubiquity of the internet, it has become much easier for a given group of people to create for themselves their own culture. The most logical step, then, is to place them in the context of the greater culture that surrounds us, that is, popular culture and mass media.
This is a very brief overview, but I do feel it is relevant – in a scholarly examination of any topic, culture or subculture, it is necessary to understand the context in which the groups in question find themselves. We have seen how the rise of the internet has led to an increased acceptance of furry art; let us now turn our attention to the greater contexts, the history of furry art, and the examination of furry characters in popular media.
Motivations to create furry art lay the groundwork for discussions regarding the nature of perceiving and describing oneself, expression of ideas, and personal connection to a community. The creation of furry art is not only a representation of these indicative traits, but can also express inner states at a given time. In essence, it would seem that these motivations suggest that furry art has an inherent nature of self-expression about them and this personal expression is actively encouraged by the avid practice of it by many individuals. Moreover, the unique nature of furry art and what it evokes in individuals offers some interesting points of inquiry which illuminate the nature of self-expression for visual artists and ups the understanding of what additional roles art may serve in a socializing member of a particular community.
From a psychological and sociological perspective, there are numerous reasons why individuals not only are drawn to creating furry art, but why they are drawn to furry art and the furry fandom itself. When one engages in fursonas, their personal experiences and expressions are played out. From a psychological standpoint, fursonas could perhaps help in maintaining balanced self-esteem, or simply be a reflection of a person’s individuality. Provides model showing interrelationships of key concepts, including self, free expression and escapism. Psychological states of mind such as feeling unique, dominant, playful or carefree can be exhibited through the choice of a particular animal character.
This work has compiled current trends evidenced in the community in the hope it might inspire the future growth and evolution of the art form. We hope our work will complement existing furry studies and provide further thought and potentially guide and shape the direction of future research in this field. We encourage other fellow scholars and researchers to conduct their thorough studies into these intriguing and uniquely varied worlds. Clearly, studying furry as an artwork is a subject deserving its deeper research and mind share. With its all-encompassing mixture and layers of social structure, trends, and cultural and artistic influences, such studies can help stimulate and promote our understanding of the furry community’s members, their many varied interests and desires, ultimately aiding in their realization and perpetuation.
The world of furry art has come a long way and has transformed in numerous ways since the inception of its first pieces, by inspiring both the creativity of its artists and the passions of its admirers. It is undeniable that the furry art form will continue to evolve and develop. This concluding section provides a very general overview of likely future trends and possible innovations that are likely to emerge in the world of furry art over the near-term and in the long-term. It begins by exploring some of the specific existing trends found in today’s furry art community and predicting the manner of their future evolutions.
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