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Exploring the Impact and Ethics of AI Art Generators

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1. Introduction to AI Art Generators

Art under AI presents a series of challenges and questions. The normative “Landaw and Landaw’s Asimov’s Second Law of Robotics may be written as D = d-1” as an expectation of complex or intricate works ends up erasing their attractiveness, design, and artistic satisfaction in the viewer’s perception. Making a distinction between types or classes of art can be particularly difficult. For instance, the distinction between Art for Art’s Sake and Useful Art for Individuals is entirely mentioned as artificial statistical types of art. Even with predetermined categories and definitions, it is possible to fraudulently inflate a work’s expected quality by simply printing a fox bag from a 2 million sequence of weight matrix as a note from the researcher. The risks include counterfeiting other artists’ styles, using rented time for a large model created by the researcher as models for the creation of ‘artistic work,’ and the protection of people or animals, thereby losing the niche in the art world.

The initial goal of making structure and meaning out of meaningless data, widely known as artificial intelligence, has given rise to new areas of research with emergent properties that have grown into concrete fields themselves. With the regular evolution of technology, AI has adapted to meet the different preferences and desired qualities of every professional artist. Therefore, artificial intelligence art, which is a product of the fusion of traditional art and innovation, can be defined as a sphere that includes works that interact with both traditional art and digital technology, and is the result of intelligent use. The ability to push boundaries and the endless exploration of AI encourages authenticity in the art world. As AI becomes increasingly mainstream, the intersection of art and technology continues to grow.

2. Ethical Considerations in AI Art

When considering the ethical implications of AI art, it is important to remember that many of these concerns are important in other areas as well. While there may be some ethical considerations that may be more apt to the field of AI art, many can be addressed in analogous ways to how these concerns are already being addressed by the larger AI ethics community. AI creativity and authorship have been long-debated factors considering parody, ghost-writing, virtual musicians, chat-bots, and industrial design. Painters are currently using Secret Sky trained AI to take an Instagram live stream to draw and are receiving a co-authorship from the AI team. However, the questions like “whose creation is it” remain.

Art itself has many complicated ethical quandaries specific to its nature. However, because art (as opposed to commercial goods or services) is not a fundamental use case for computing, the consideration of ethics related to computing systems is usually focused on those use cases (e.g., safety in transportation and other mission critical systems, discrimination in lending and other AI systems with societal impact). In our chosen area of interest, AI (as code or technology) is being applied to solve a specific problem (generative art) and in a very specific commercial application (the art market). However, while its goal might be different, AI art has the same consequences as the ethical pitfalls of other AI systems. It’s important to examine them and to start to set ethical guidelines before an AI artist makes a controversial work like that uses an AI face against ethical AI guidelines.

3. The Intersection of AI and Creativity

Creativity is part of the set of formal functions based on the evolutionarily stable strategies that guide human action in moments of creative reconstruction. It follows other formal and expressive functions of reasoning, signifying, planning, and management. Among these puzzles, AI’s correlation with creativity is essential. Such correlation has strategically followed humanities’ unanswered questions. Frequent doubts about what distinguishes man from machines concern the ability to be creative, the emotions, the consciousness, the talent, and the own narrative identity. In the Major Problems repository, cataloged by René Thom three decades ago, the difference between the creative character and logical character, ability to apprehend the signs used in expression, difference between the technique and the creation seems uncertain. The emotions are qualified by the extraordinary spontaneity of the fact that occurs and surprisingly act beyond the scope of the concepts that can describe them. These problems refer to the constitution of wisdom, to life’s problematic sense, and to the emotional range of belief and behavior. Just being is problematic since human identity does and undoes itself in the narrative chain twined by reasoning. AI formalism emphasizes reasoning about contrasts, on the emotions that differentiate automatic systems. The creation integrates the human structure, also including the broad and flexible evolutionary role assumed by societies that lead the predisposition and the capacity for improbability. Essentially human characteristics require processes that produce adaptable, plural, innovative, and original results.

Artificial intelligence (AI) has achieved remarkable accomplishments within the art community. From helping art professionals with the creation of works of art to generating the backbone of their projects autonomously, several AI techniques have emerged over the past two decades. This paper explores some of the current ways AI is being used to create art and some of the impacts and ethical concerns of the use of AI in cultural productions. As before, creativity has been described as a hallmark of intelligence, but primarily of human intelligence, given that human beings have a natural capacity for surmounting or evolving from complex, life-threatening crises. Could creativity be understood from a human perspective and still restricted to human beings? Would a machine listening to and composed of notes, rhythms, melodies, timbres, and interplays of instruments make a difference in appreciating and valuing the orchestra’s performance? How likely and desirable is a change of perspective in the relationship between machine agency and human autonomy, in which autonomy is not necessarily bound to control?

4. Case Studies: AI Art in Practice

This functionality provides state-of-the-art, user-friendly access to a GAN, which in turn generates art that often rivals other popular AI art generators such as Artbreeder, Dall-E, Deep Dream, and RunwayML. Examples of images generated in this way are shown in Figure 6. Having already highlighted the role played by GANs in facilitating much of the current AI art activity, Section 2.3 provides a brief summary of GANs and their operation. The concept of “style mixing” is the basis for all of these programs: manipulating the image resulting from a linear traversal of the latent space of the GAN style. Since the particular GAN style has been developed to maximize human engagement, and the traversal is designed to be simple and controllable, great 2D variety can be achieved in this way.

Thanks to advances in deep learning, particularly through the use of generative models such as GANs, AIs are creating never-before-seen art pieces that challenge our preconceptions of both AI and creativity. This section explores some of the most well-known AI art projects and tools in an attempt to illustrate to the reader the current state of the art. The selection of projects includes those that can be run directly by the reader, as well as others that have achieved significant acclaim, either in the art world or through viral social media attention, or that are otherwise particularly noteworthy.

5. Future Directions and Implications

Our study examined each separately, but creative AI researchers are addressing them in conjunction, and it is important to consider these implications three-dimensionally. The increasing use of AI to generate, redistribute, and remix art creates a radical change and escalation in terms of not only what should or should not be considered fair to generate compensation, but also the factors that contribute to value. When an AI is used to help generate images or content, there is the perception that there is less work and effort performed by the artist. This widely held misperception serves to create devaluation for the artist, who has lost value in terms of the market price for ordinary original art.

While our work offers a foundation for understanding how others may be viewing, evaluating, and discussing individual artifacts generated by popular AI art services and systems, addressing other important research questions will have a longer-lasting impact. To what extent do creators of deep learning AI art comprehend and address potential implications arising from collections of AI-generated content? How are public perceptions of this content shaped by external discussion and articulation of context, including legal and ethical impacts? How are AI-generated artifacts being monetized, and how are payments shared or distributed among creators of the AI models, providers of the AI services, stakeholders who generated or provide access to the data with which the models were trained, the copyright holders of the data, the custodians who exhibit the work or share ownership of AI models, individual users who customize the artwork via “hyperparameters,” and others?

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