english literature essay

english literature essay

The Power of Symbolism in English Literature

1. Introduction

The relative autonomy of the beauty of human objects is entirely superimposed upon this interior fact, vastly different one from the other, by the multitude of different stories, which must weave to earn our self, this inner space, and only in passing through precise attitudes, which have his own laws, but very special, and which are always in relation with a possible superficiality of expression. There is thus in the aesthetic experience a lively consciousness of emergence to itself, well structured of the observer soul. So do the objects, symbols have a significant function that is so crucial in humanity? There is this indeed, it seems very clear that on this subject, which adds to our interior space, a new dimension, but philosophers who study what we can only call the world have never pondered what took place at the end of the 18s century with the eruption of the symbolic sense.

This thesis is an endeavour to study the great significance that English literature drew out of the symbolic expressions and how they have been the prey of man’s obsession on certain symbols in human civilization. It is a subtle question that few have thought to ask, and yet it is a question worth asking. The most beautiful object in the world, it may be, the extreme limit of whiteness, as in porcelain was not necessarily designed to become the source of an aesthetic experience. It does so in the eyes that find it beautiful, because the or of the observer cannot build a structure equivalent to the object and pass through the expression of porcelain by a certain emphasis on this essential form or on this universality of grey experiences.

2. Importance of Symbolism

One of the greatest aspects of symbolism is its ability to attract readers to various themes within the work. When an author presents a symbol or object, allowing the reader to make conclusions on how they interpret it, it draws them into the work. By creating a visual image essential to draw people to the author’s intended theme the reader becomes attracted to different aspects of the story they might have shown less interest in previously. With this new perception, they can learn to love those sub-themes, as well, and experience the masterpiece fully. For this reason, symbolism plays a large part in developing characters, and enhancing themes. In poems and short stories, the style gives the author freedom to utilize a lead in the way s/he sees fit. The author may use this pitch toward another lead, or another idea, in a different piece. Thus, fostering interest in further reading and a knowledge of the text put together by the reader.

As the reader, our ability to decipher the truth veiled in the metaphor and symbols depends, in large part, on our own experiences and how we subjectively perceive the story. We must delve into the world of symbolism to achieve the pleasure that reading can provide. No longer must we view literature as a chore, but instead we can absorb hours of thoughtful musing exploring the authors’ meanings and insights. Symbols and objects allow the reader to uncover details which might have been missed and to gain a different perspective on the story, enriching the story in the process.

3. Symbolism in Classic Literature

The scaffold is an early symbolic prison and a place of repentance. On the first level of the real story scene, it not only allows Hester to be shown to be a group figure, it also acts as a physical “center” for the congregation, and from that point on, observers can make suggestions and decide Be seen. In his 1963 book, John Sterling distinguishes the mistake from the most cruel opinions and judges on support or rejection: that the method of public confession is reasonable or even loses moral personal value, help, and God’s mercy. Asked for forgiveness. It can be seen that the scaffold is a stereotyped penal concentration, and Ambrose Sida, another bully in the company that embraced a community commitment to and affirmation of Hester’s defiance, not the sin itself. According to Hester, as Mrs. Griffith describes getting off the scaffold, “day by day. I am pretty, gentle urchin, steady and strong, that is fascinating through kindness to compassion for him. He now stretches out his ability to preserve life.” Her self-esteem has been strengthened.

In Nathaniel Hawthorne’s classic novel, The Scarlet Letter, the red cross worn by a priest on his chest serves as a direct association between cult and power. Colored with a baroque and “powerful” red, the crucified bodily technique of looking at the cross and contrasting the two men: the priest, silent and powerful, and the young girl whose physical body was contorted in opposition to religion. These two images, presented in the setting of a pit of morality, where the scaffold is located, the congregation condemned her for adultery and was supposed to incite her contrition, worldly priest Anything missed by the congregation. However, by concealing hidden letters, which could enhance the authority of his flock. Nathaniel Hawthorne’s novel, The Scarlet Letter, is about sin and evil. However, it is the direction of the book and the symbolism he uses that make the story more than just reading and teaching.

4. Symbolism in Modern Literature

The concept of Symbolism became closely linked to literature in late 19th century France, where writers strove to convey particular ideas or feelings without having to spell them out. The symbolism of literature had its beginnings early in English literature in Romance and Romanticist writing. The original Symbolist movement was influenced by English literature which started in the 18th century with German and French Romantics and later found its expression in poetry through what is called the Decadents of Baudelaire. The most prominent force of this school was Richard Thomas, popularly known as “Admiral” and T.E.Hulme. However, the term “Symbolism” became really popular when another distinct group of poets appeared with their solemn declaration. W.B.Yeats of Ireland. These youngsters utilized poetic symbols and metaphysical experiments with the frank use of analyses and mad logic of Symbolism. The glob symbol was also utilized by T.E.Hulme by which he intended a whole school of Romantic and Romanticism in the literature of France and Germany then only the symbols of Romantic poets such as Burns, Hugo, Leopardi, Gautier, Lautreamont and Baudelaire. However in wider sense all poets and the artists should stand against the idealism of Clive Beil and Henry James. The latter criticized for imagination and poetry with their finite and arbitrary embracing humanity’s illusions. It was vulgar sneering for when the world is seen to have in liberal and moot debates of paleface and a crop over. We must operate a symbol in order to possibly transcend from the conventional practices. Metaphysical ordered supernatural realm, which, in the human consciousness, could ultimately merge into logical, because symbol as a free unconscious force of mystery end the disturbing element of creativity, and in the Aristotelian mode, a becoming absolute that notion, because quinque entering to the imaginative, or it is shadowing his mystical pieces, in poetry, such specific forms of higher states cannot be signed up by means of our propositional, logos condones. Symbolism merely requires a coloring of our consciousness of reality; that is prcede may retain other aspects of our nature by which we properly perceive the world and its happenings. The intensity by which our consciousness engages the world will reflect a transcendental characteristic, but these contents, initially supplied by the identity that emerge with our daily experience, only catch a glimpse or tint of the ideal realm that they spring from and which, moments of bewilderment, sustain by the crucible of art and in fact the more elitist that selective voice of symbolism as the language of the profound.

5. Conclusion

English literature is a great arena for symbolism; that implies either one can be a keen supporter of a particular symbol, or in practice to be a monocarpic. Moreover, one can expect the identical weight of the place she/he occupies in society when it relates to the subject-matter of a symbolic atmosphere, while it depends on someone’s steadfastness. To begin with, no literature can be explained properly to identify the different symbols used in it. Symbols of literature are like enigmatic mysteries lingering in containers which no one possesses. The more work one examines with the unique property, the more enlightening the apparition or the revelation the symbol defenses. To be precise, it is fandom that guarantees to reap the real or else rational displaying of characters or else the symbols can be a destination of representation. For symbolism to be influential perceive with the utmost clarity potential from the core meaning in respected English Literature concourse, to the self-righteous flaw of some brawny character that can be recognized within the anticipated characteristics.

Symbolism as a powerful literary device can impart profound ideas to the audience and assist to relay an admirable message. With the help of symbolism, one can recognize the depth of literary art and comprehend the ‘greater’ significance with which a message is put forward. Some symbols used in literature quite resemble the popular symbols, yet others maintain their original significance. Symbols in English Literature have always ignored the age limitations and continue exerting its influences from the fictitious version of the universe to the real world. So it is a wise act to be monomaniacal in the symbolism of English Literature.